Paul Taylor is widely considered to be one of the foremost American choreographers of the 20th century. Paul Taylor is among the last living members of the second generation of America?s modern dance artists. He has continued to win acclaim for his recent creations as well as stagings of his earlier works. As prolific as ever, he may propel his dancers through space for the sheer beauty of it, or use them to wordlessly illuminate war, spirituality, sexuality, morality and mortality. If, as Balanchine said, there are no mothers-in-law in ballet, there certainly are dysfunctional families, disillusioned idealists, imperfect religious leaders, angels and insects in Taylor's dances. In the 1950s, when Taylor?s work was so cutting-edge that it often sent confused audience members flocking to the exits, Martha Graham dubbed him the "naughty boy" of dance. In the 1960s he shocked the cognoscenti by setting his trailblazing modern movement to music composed 200 years earlier, and he inflamed the establishment by lampooning America?s most treasured icons. In the 1970s he put incest center stage and revealed the primitive nature lurking just below men's and women?s sophisticated veneer. 

July 29th, 1930 in Pittsburgh  /  Died:   Aug 29th, 2018 - aged 88- renal failure